She, for example, wasn’t a Beatles fan. I was gobsmacked. She wasn’t much younger than me and my children weren’t the only ones who liked the Beatles: quite a few of my friends’ children had also taken to those tunes like proverbial ducks.
I felt like asking her whether she hated music or speaking English – so integral I’d mistakenly thought the Beatles were to both - but kept my mouth shut for the sake of each to her own and all that.
The only other small problem I foresaw was that I hadn’t liked Scorsese’s film on Bob Dylan, which I’d found static and dry, or the Rolling Stones, which was just a recording of a live concert or two.
But none of that is evident here. The youngest and quietest Beatle gets a proper treatment which, at over 200 minutes, doesn’t feel long at all. Using previously unused footage and photographs, and cobbling them together with existing interviews and some of his own, including one with the weird and now imprisoned Phil Spector, Scorsese persuades at least this reviewer that Harrison wasn’t just a wishy-washy “spiritualist” but was genuinely grounded in his beliefs.
And that’s only one aspect of a man who produced some great films like Time Bandits, loved gardening, motor racing (world champion Jacky Stewart’s testimony to his friend is very touching), and wrote some of the most memorable and sung songs, like Something, ever. Among others.
One reviewer called Harrison the third-most talented after Lennon and McCartney, which is like saying Beethoven was the third-most talented after Mozart and Bach.
If a song like Got My Mind Set On You is a glaring omission, probably because it wasn't written by Harrison, Living in the Material World is still a great film and slice of history. It had me walking around in a daze and liking people I was convinced I never would. It also left me grateful that I could grow up - and younger - with the likes of George Harrison.
Neil Sonnekus
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